Why It Is Crucial To Donate To Wfmu

Repost; This was written last year and it’s the time of the season again to donate some money again.

WFMU
I’m a sucker of technology. I admit  it. My RSS reader is full with feeds of tech blogs, new gadgets, DIY tips for musicians in the digital world etc  etc etc. I find it thrilling that the entire world is just behind my computer screen and that there are almost no borders – we are the world. Totally.

Every now and then you read about a new ‘music discovery’ website/widget/app/whatever.  These services allows musicians like myself to upload their music to countless numbers of website who get free content, and provide a chance to get discovered. These are good services, but you can’t really spend an hour listening to these services without pressing the skip button couple of times, as usually the artificial intelligence that is produced  by these algorithms, can totally miss it. We’re talking about music here, not tech, not math and not statistics.

That ‘s why I prefer listening to the radio. I’ll revise – that’s why I prefer listening to free form radio stations. Free form – where each show has it’s own personality, based on the host.
My favorite station in the world, is Jersey based WFMU. I discovered WFMU about four years ago, and have been listening to the station ever since, whenever I get the chance. When I’m working at home or on my iPhone/iPad with the WFMU app. I love so many shows there, from Irene‘s show, to Bryce, to Liz Berg‘s, Stan’s, Scott‘s ,Woody‘s, Brian‘s , Three Chord Monty, Underwater Theme Park, Jason‘s and Give The Drummer Some – pretty much 99% of the shows (sorry if I didn’t mention someone – it’s a long list – still love you all).
WFMU

WFMU has a very interesting concept. It’s a free form radio, that excellence in their hosts fine taste in music, who are constant searchers of obscure music, stuff you probably won’t hear anywhere else.
Being a music fanatic like myself who always look for the next exotic/rare music – this station is perfect for me. It provides me of good ideas for my own radio show – Sonar, and for this very blog.

I’m drooling every time I watch this


WFMU is also a curator in the Free Music Archive, one of the most exciting websites that hosts thousands of files, free music, provided by artists, musicians and radio stations who upload live sessions from their studio (also participating in FMA are KEXP, Philadelphia’s The Issue Room and others. So the community wins big time. Fans can download music for free and legit, artists get exposed, WFMU hosts have an ever expanding library of music – everybody wins.

WFMU hosts also write the fantastic blog Beware Of The Blog, that sometimes write information about upcoming station events – but usually it’s full with more rare music that the staff writes about.
But above all – all the WFMU staff are volunteers. i.e. no money. They put a lot of work and thought to their shows, songs selection and online interactions with their listeners- without getting paid.



This morning (Feb 20th), WFMU starts their annual two weeks marathon, where the listeners can donate money to the station, to keep it up and running. In return, aside for the ‘staying alive’ concept that will go on for another year until the next marathon – there are all sorts of treats and rewards for the donors , from t-shirts, to be a Fly-On-The-Wall during the annual Yo La Tengo studio session, where they play listeners requests, and lots of other merch.

Pledge to the WFMU Marathon!

Aside from donate money, you can also volunteer to cook in the studio! This is very nice. The radio gives you musical nutrition, and you feed them back with lettuce and tuna sandwiches and rice with almonds.

Labels should donate money
to the station. They are the people who’ll play your music, based on its quality alone. No commercial considerations, so even if you’re a CD-R label that releases sounds of penguins that play drums on turtles backs – your release might get airplay.

Musicians, you should donate as well. Why? I’ll tell you.
First, see the above paragraph, these are the guys who’ll play your music. Second, by helping to keep this station alive, you give yourself the opportunity to be 24/7 inspired by new music, which is the most crucial part of your creation – the part where you keep yourself open to new influences.

Listeners, I don’t think it is necessary to explain why you should donate. You are getting all that hard work for free. It’s time to give back.



Lucky for me, I’m a label, musician and a listener and an active participant in the live discussions -  and I believe that if you can appreciate the importance of culture and music – tune in, pledge in, and help keep WFMU alive for many years to come.
WFMU is an institute. It is vital. It is more then a radio station – it keeps a flame burning, and we should all jump in and help keeping this community going on.

Coz you know, if we won’t pledge this, then our children will listen to elevators music for the rest of their lives, and will be next.
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New Discoveries From Karen Dalton!

Usually, I’m not a person to chase any ‘rare recordings’ by artists that I like, especially if they’re dead. I assume that had the artist wanted, he’d release those recordings while he was still alive, and if he didn’t, and the recordings were long forgotten – let it be.

All that I’ve said has nothing to do with the newly discovered 1966 Karen Dalton recordings, of which I’m thankful for the last three months I’ve been listening to.
Karen Dalton was an amazing, fragile voiced singer that was active in the mid-late sixties, a part of the Cafe-a-Go-Go scene, with folk legends like Fred Neil and others. She released two albums and I have no idea what happened to her after 1971 when the second album was release.
It’s So Hard To Tell Who’s Going To Love You The Best , her 1969 debut, is a folk-blues masterpiece. All covers and traditional, Dalton’s Billy Holiday-like voice was so unique the soulful, that I always felt a great need to hug her, so she won’t break. But she was strong.

The newly discovered 1966 recordings, are unearthed reel-to-reel recordings made of the elusive songstress rehearsing with her estranged husband Richard Tucker in the Colorado cabin they shared.  She is singing some Tim Hardin and some Fred Neil tunes, among traditional tunes and some originals, all just perfect and amazingly touching. I’d give a lot to be in the same room with her when she sang Just a Little Bit Of Rain and Shiloh Town. In anyway, for fans of sixties folk, Dylan and Neil and Hardin – don’t miss this one.

[Audio] Karen Dalton – Shiloh Town
Karen Dalton – Katie Cruel

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Yair Yona – World Behind Curtains

Folks, I got a new album out.

CD/LP/MP available via Strange Attractors and through all the usual places you get music from.

[Audio] Yair Yona – Poetry Nights In Valhalla

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The Acid-Folk Return (This Time In Swedish)

I got this email about a band called Laike, led by songwriter Christofer Ståhle from Sweden.

I get loads of emails about bands and artists, and I always look for that one thing in the description that will capture my attention. In this case it was the label that released Laike’s debut album, name of this label is Les Cousins. Les Cousins was THE place for folk music in 60′s folk revival in London. It was a place that hosted many fine musicians, most notably, my mentor and hero Bert Jansch.

So immediately I went to check the album and the label and I discovered an amazing psych-folk album, that sounds like a modern Synesthesia, Trees, Dando Shaft, with touches of a more upbeat Espers vibe. John Martyn-like guitar picking, electric guitar, Sitar, Wurlitzer and other retro sounds creates a really beautiful production and songs. I can’t understand a word but who cares. This is a must have for people who miss the acid-folk revival of 2006. The album is due in February 27th.

 

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Howlin Rain’s In The Russian Wilds

Valentines Day will be the D-day, when my new album will be out.
But the celebration is now doubled, as I found out that Howlin’ Rain will release The Russian Wilds, their new album, the same day.

Though I’m much more into the band’s evil twin – Comets On Fire, a new Rain album is exciting news. They made a short video of the records’ behind the scenes, and some dialogs with band leaser Ethan Miller, very cool.

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a great live moment

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New Balkan Beat Box Video

The Balkan Beat Box, the gypsy-cabaret-punk band have a (not so) new song out called Political Fuck.

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Kick ass song, inspired by what goes on in the world lately (disaster, chaotic mess, we’re all gonna die), and brings some furious, edgy vibes that brings to mind the Bulls On Parade album by Rage, and some Beastie Boys.

Great soundtrack to big demolition process.

And take this for the road (BBB should take these guys as the opening act for their next tour, definitely).

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